Julie Nelson Davis is Professor of the History of Modern Asian Art and Director of the Penn Forum on Japan. Recognized as one of the world’s foremost authorities on Japanese prints and illustrated books, Davis teaches a wide range of courses on East Asian art and material culture in the greater global context. After receiving her BA from Reed College, Davis completed her M.A. and Ph.D from the University of Washington and studied at Gakushūin University in Tokyo. She is author of Utamaro and the Spectacle of Beauty (Reaktion Books, 2007; second edition, 2020), Partners in Print: Artistic Collaboration and the Ukiyo-e Market (University of Hawai’i Press, 2015), and Picturing the Floating World: Ukiyo-e in Context (University of Hawai’i Press, expected 2020). Davis was recently a guest curator for the Freer and Sackler Galleries for an exhibition on Utamaro (2017) and is preparing an exhibition of Japanese illustrated books in the Kislak Center for Special Collections, Rare Books and Manuscripts at the University of Pennsylvania opening in January 2021.
Professor Davis has held the Abe Yoshishige Fellowship at Gakushūin University and the Robert and Lisa Sainsbury Fellowship at the Sainsbury Institute for the Study of Japanese Arts and Cultures. Her research has been further supported by the Weiler Family Dean’s Leave, the University Research Foundation, the Northeast Asia Council of the Association for Asian Studies, the Penn Humanities Forum, and the Center for East Asian Studies, among others. Davis also received the Trustees' Council of Penn Women's 25th Anniversary Award for Excellence in Advising in 2012 and was the Kyoto Consortium for Japanese Studies Visiting Professor in Autumn 2014. She is the Director of the newly formed Penn Forum on Japan. In 2016-2017 Davis was a Senior Research Fellow at the Freer Gallery of Art and Arthur M. Sackler Gallery at the Smithsonian.
Professor Davis’s research focuses on Ukiyo-e, the “images of the floating world,” and the arts of the Tokugawa period (1615-1868). Her work has confronted issues of artistic identity, gender, and collaboration in this vibrant field of production, and she has expanded her interests to include illustrated books made in the Tokugawa period.
Professor Davis is the co-founder, with her colleague Dr. Linda Chance of the Department of East Asian Languages and Cultures, of the Penn Faculty Working Group for Reading Asian Manuscripts (RAMS), in support of the study of premodern Japanese orthography (hentaigana and kuzushiji). Davis and Chance have organized several workshops to teach the art of reading premodern Japanese script with colleague Dr. Laura Moretti from the University of Cambridge. For an article about their project, see “Japan-RAMS Scholars at Penn ‘Cracking Code’ of Early Modern Japanese Manuscripts,” http://www.upenn.edu/pennnews/news/japan-rams-scholars-penn-cracking-code-early-modern-japanese-manuscripts
Davis also supervised the online exhibition and catalogue for the Pulverer Collection of Japanese Illustrated Books the Freer/Sackler, the Smithsonian’s Museums of Asian Art. For more on this project, see: http://www.asia.si.edu/research/curatorial/pulverer.asp For the online catalogue, see: http://pulverer.si.edu/
Previous publications include Utamaro and the Spectacle of Beauty (Reaktion Books and the University of Hawai’i Press, 2007; second edition, 2020); an essay on Utamaro’s Poem of the Pillow in What Makes a Masterpiece? (2010); a study of the influential ukiyo-e publisher, Tsutaya Jûzaburô in Designed for Pleasure: The World of Edo Japan in Prints and Paintings, 1680 – 1860 (Asia Society, 2008), an analysis of a painting by Teisai Hokuba in the Japanese art history journal, Kokka (2007), an overview essay on Utamaro and his contemporaries in The Hotei Encyclopedia of Japanese Woodblock Prints (Hotei Books, 2005), and an article on Utamaro and the status of the ukiyo-e artist in the anthology The Artist as Professional in Japan (Stanford University Press, 2004), among others.
Special projects at Penn have included co-curating "Dramatic Impressions: Japanese Theatre Prints from the Gilbert Luber Collection" at the Arthur Ross Gallery in 2006, site seminars at the Venice Biennale, and others. Professor Davis worked with a group of graduate and undergraduate students on the exhibition, “A Sense of Place: Modern Japanese Prints,” held at Ross Gallery April 9 through June 21, 2015, featuring works selected from the Philadelphia Museum of Art, the Kislak Center for Special Collections, Rare Books and Manuscripts, and private collections. Davis is also working with students on online catalogues of Japanese prints and illustrated books in the Kislak Center here at Penn.
ARTH 102: World Art: 1400-Now with André Dombrowski
ARTH 103 & EALC 013: East Asian Arts and Civilizations
ARTH 213/613 & EALC 157: Arts of Japan
ARTH 258/658: Early Modern Japanese Arts and the City of Edo
ARTH 290/690 & FILM 223: Post-war Japanese Cinema and Visual Culture
ARTH 301: Undergraduate Seminar in East Asian Art
ARTH 413: 20th-century Arts in China and Japan
ARTH 511: Japanese Prints and Ukiyo-e
ARTH 513: Proseminar in East Asian Art
ARTH 713: Graduate Seminar in East Asian Art