-2023-
Qu, Lei, "Edgeless Flux: Colour in the Idea del tempio della pittura (1590) by Giovan Paolo Lomazzo (1538-1592)" (Advisor, D. Kim)
Wrubel, Brooke, "Intermediality in Duccio's Maestà: Cosmati Work, Textiles, and Enamels" (Advisor, S. Guérin)
-2022-
T. Hampshire, "Breath of Time: Sibylline Prophecy and the Virgin Mary, 1430-1540" (Advisor, S. Brisman)
M. Puzyreva, "Japanese Wartime Landscape: Collected Prints of Sacred, Historic and Scenic Places by Tokuriki Tomikichirō" (Advisor, J. Davis)
-2021-
J. Chang, "Romanticism’s Ends: Philipp Otto Runge’s Cutout Drawing of Niobe and Racialized Child" (Advisor, D. Kim)
J. Miller, "'An Optical Illusion in Invisible Green:' Vert et Or: Le Raconteur, James McNeill Whistler, and the Late 'Street Urchin' Portraits" (Advisor, A. Dombrowski)
N. Purgett, "'On paper red enough to set his face aglow': Materiality and the Genji Scrolls" (Advisors L. Chance and J. Davis)
-2020-
Z. Coyle, "Concerning the Inner and Outer Man: An Upper-body Defense for Kunz van Unckel" (Advisor, S. Brisman)
V. Duncan, "Edna Reindel: American 'Psycho-Realist' Painter" (Advisor, M. Leja)
R. Eisenman, "The Bishops and the Lions" (Advisors S. Guerin, R. Ousterhout)
E. Galardi, "Image and Light: Reconsidering the Byzantine Decorated Church" (Advisor, I. Drpic)
A. Garcia,"Hellenistic Art and Artifact: Economy and Trade" (Advisor A. Kuttner)
S. Gibson, "Art and Representation of Nation: Winslow Homer's Watercolors of the Devil's Isles" (D. Brownlee)
T. Shine, "Pictures More Than Pictures: The Abstract Photographs of Roy DeCarava and Dawoud Bey" (Advisor, K. Redrobe)
T. Zhang, "Ike no Taiga's Twelve Views of West Lake" (Advisor, J. Davis)
-2019-
C. Castillo, "Seminar: Archaeology of the Hellenistic Period in Italy, Greece, and Asia Minor" (Advisor, B. Rose)
I. Lynch, "Through the Camera's Eye: Performing Pictures in Babette Mangolte's The Camera: Je/La Caméra: I " (Advisor, K. Silverman)
L. Downing, " Facing Off: Chantal Akerman's D'Est as Film and Video Installation (Advisor, K. Silverman)
T. Williams, " A Space to Appear, A Space to Tarry: Plurality and the Nocturnal Visual Politics of Lingering in Michael Abramson’s Black Night Clubs on Chicago’s South Side Series" (Advisor, K. Silverman)
K. Bong,"Michelangelo's Peducci: Painter as Architect, Painted Architecture, and Architectural Painting" (Advisor, D. Kim)
E. Lasry, "“Framing Fatherhood: Berthe Morisot’s Images of Paternity” (Advisor, A. Dombrowski)
-2018-
F. Richman, "Architecture of the Everyday: Guild House by Robert Venturi and Denise Scott Brown" (Advisor, D. Brownlee)
R. Bernhaut, "Five-Faced SIVA's Four-Faced Temples: An Examination of the Relation and Significance of the Temples at Masrur and Bajaura in the Western Himalaya" (Advisor, M. Meister)
A. Del Conte, "Preserved in Portraits: Tracing the Artistic Practice of Henrietta De Beaulieu Dering Johnston, 1704-1726" (Advisor, G. Shaw)
O. Dudnik, "An Early Dada Artist: Francis Picabia's "Impressionist" Period" (Advisor, A. Dombrowski)
J. Hough, "Particles Shared: Photographic Source and Surface in the Recent Works of Vija Celmins" (Advisor, K. Silverman)
R. Mize, "Intermedial Impulses in Peter Frederick Rothermel's Battle of Gettysburg (1870)" (Advisor, M. Leja)
-2017-
N. Adachi, "Constructing Artistic Japan: Making and Viewing the Image of Japan in Yokohama Photography" (Advisor, J. Davis)
J. Barton, "Architectured Painting: Le Corbusier's Purist Vision of Space, 1918-1925" (Advisor, C. Poggi)
M. Boomer, "Sanctified Microcosms: The Mashhad of Sayyida Ruqayya and Medieval Cairene Devotional Space" (Advisor, R. Holod)
A. Stinebring, "Virtuosic Ugliness and the Profanely Sacred: Hendrick ter Brugghen's Adoration of the Magi" (Advisor, L. Silver)
P. Kim. "Making Digital Vision: Sight and Ritual at Balalyk-Tepe (7th - 8th c CE) (Advisor, R. Holod)
L. Custer, "Resources of Revival: Histories of Art and Nation in Edward Lamson Henry's The Lafayette Reception at Cliveden" (Advisor, G. Shaw)
F. Ferrari, "Visions in the Crowd: Gendering the Masses in Interwar German Art" (Advisor, C. Poggi)
-2016-
E. Allen, "Inscribing the Hills with Victory: Authorship and Community in the Tropaeum Traiani at Adamclisi" (Advisor, A. Kuttner)
H. Chang, "Female Waitresses, Dance Hall Women, and the Cosmopolitan Roots of Modern Agency: The Visual Culture of Korea's Cafe Waitresses and New York's Dance Hall Women" (Advisor, G. Shaw)
J. Dreskin, "Making by Breaking: Faciality and Picasso's Mademoiselle Leonie" (Advisor, C. Poggi)
K. Gill, "Figures of Speech: Silence and Noise in Lawrence Abu Hamdan's Audio Forensics" (Advisor, C. Poggi)
-2015-
S. Danhakl, "Authenticity, Artifice, and Fraud: Artistic Humbuggery in John Haberle's Trompe L'Oeil Money Paintings" (Advisor, M. Leja)
G. Stevenson , "A Lithuanian Tailor-Made for the Grande Armee: Antoine-Jean Gros' Eylau, the Enlightenment Gaze, and the Slavic "Other" (Advisor, A. Dombrowski)
-2014-
M. Antonucci, "Italy at the Venice Biennale of 1976: Curating for the Post-1968" (Advisor, C. Poggi)
I. Choi, "Deconstructing the Discourse on Contemporary Chinese Art" (Advisor, J. Davis)
M. Donnelly, "Escapes into Iowa: Grant Wood's Agricultural Playgrounds, 1930-1936" (Advisor, M. Leja)
A. Kauffman, "Robert Raushenberg and the Extended Genesis of Erased de Kooning Drawing" (Advisor, C. Poggi)
J. Vaum, "Kerry James Marshall's Invisible Man" (Advisor, G. Shaw)
-2013-
J. Sperling, "The Echo of Encounter: Discovery Narratives in the History of American Popular Art, 1935-2013" (Advisor, G. Shaw)
S. Hagan, "Rubens's Nova Roma: Recovering Heroes from an Antique Past" (Advisor: L. Silver)
M. Isgro, "INTERIOR EXPOSURES: Women and the Practice of Home Portraiture, 1885-1920" (Advisor, M. Leja)
A. Murphy, "Manuel Panselinos and the Quest for Artistic Personality in Buzantium" (Advisor, R. Ousterhout)
-2012-
H. Hughes, "Istanbul a La Mode: Osman Hamdi Bey and the Modern Ottoman Woman" (Advisor: R. Holod)
E. Neumeier, "An Anatolian Mont Sainte-Victoire: French Painting and Turkish Modernism" (Advisor: A. Dombrowski)
E. Warner, "Action Painting as Art Criticism: Rereading Harold Rosenberg On Art" (Advisor: M. Leja)
R. DeArmas, "Warrior Saints Defending Constantinople" (Advisor: R. Ousterhout)
-2011-
S. D'Addio, "Cruel Intentions? Charles V's Encounter with the Concistoro Frescoes of Domenico Beccafumi" (Advisor: M. Cole)
C. Ickes, "Imagining Pocahontas: Lessons on Legible Time and timelessness in British Portraiture" (Advisor: G. Shaw)
J. Kenmotsu, "Sites and Sights of Pleasure in the Eastern Capital: Poetry, Place, and Patronage in Suzuki Harunobu’s Zashiki hakkei and Fūryū zashiki hakkei" (Advisor: J. Davis)
E. Newman, "Noise Annoys: The Unknown Masterpiece and the Fate of the Artist" (Advisor: K. Silverman)
-2010-
F. Marzullo, "Between Hymen and Diana: Allusion and Eccentricity in Charles Willson Peale’s Mary White Morris" (Advisor: M. Leja)
A. Venator, "A Woman Who Needs No Introduction: Yoko Ono" (Advisor: C. Poggi)
L. Baradel, "Defending The Cabin: American Identity in D.W. Griffith’s Early Westerns" (Advisor: K. Beckman)
R. Erickson, "Animal-Borne Imaging: Embodied Point-of-View and the Ethics of Identification" (Advisor: K. Beckman)
C. Robbins, "The Critical Reception of the Work of Frank Kune, 1950-1954: The Black and White Abstractions and the Calligraphy Metaphor" (Advisor: M. Leja)