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Amedeo Modigliani. Pink Nude—Caryatid, c. 1914–15. The Barnes Foundation, BF292. Public Domain.

Friday, February 21, 2025 - 10:00am to 4:30pm

Barnes Foundation

29th Annual Graduate Student Symposium on the History of Art 

Free; registration required. REGISTER

This symposium, now in its 29th year, brings together graduate students from nine mid-Atlantic colleges and universities to present current research in the field of art history. Each session includes presentations followed by a moderated discussion.
 
Session One: Gendered Bodies
10–11:40 am
 
Moderated by Martha Lucy, deputy director for research, interpretation and education, Barnes Foundation
 
Caryatids and Courtesans: Women’s Artistic Labor at Delphi
Ella Gonzalez, Johns Hopkins University
 
Ghost in the Garden: Interruption, Opacity, and the Otherwise in Ja’Tovia Gary’s The Giverny Suite
Hilde Nelson, Bryn Mawr College
 
Arrivals and Departures: Ebony G. Patterson’s Excessive and Otherwise Bodies
Nicole Emser, Temple University
 
Session Two: Medieval/Early Modern Texts, Botany, and the Environment
1–3:05 pm
 
Moderated by Christiane Gruber, professor of Islamic art, University of Michigan
 
Antler Chronologies: On Moose, Land Management, and Cyclical Time in the European Middle Ages
Robyn A. Barrow, University of Pennsylvania
 
Between Meadows and Margins: Flemish Strewn-Flower Borders and Wildflower Collection in Late Medieval France and the South Netherlands
Isabella Weiss, Rutgers University
 
The Cardinal’s Coral Tree: A New-World Botanical Curiosity in Barberini Rome
Clio Rom, The Pennsylvania State University
 
Reusing Sacred Texts: The Lives and Afterlives of Medieval Liturgical Books
Silvia Gianolio, Princeton University
 
Session Three: Modern Art and Identities
3:20–4:30 pm
 
Moderated by Alison Boyd, director of research and interpretation, Barnes Foundation
 
Hsiao Chin: Being Modern, Being Chinese, Being Nomadic
Filippo Grassi, University of Maryland
 
Drawing the Circle: Lakȟóta Aesthetics of Generosity in Arthur Amiotte’s Collaborative Wall Hangings
Julia Hamer-Light, University of Delaware