Duke University Press

“[A] fascinating study of the place of the car crash in cinema. . . . Although the book is written as a contribution to ongoing academic debates within film studies, the author’s observations and arguments should nonetheless be interesting to film lovers.”—Victor P. Corona, PopMatters

“Crash: Cinema and the Politics of Speed and Stasis is exhaustively researched and argued with clarity. Blending cinema and media studies with a hard-edged critique of the capitalist machine, this book is both entertaining and enlightening.”—Simon Sellars, Media International Australia

“Beckman’s treatments are unfailingly interesting, and her arguments are provocative. . . . This important book will cause a stir in the field. Recommended. Upper-division undergraduates and above.” —W. A. Vincent, Choice

“Beckman does a thorough job depicting the history of the car crash throughout the years of cinema. Her passion for mobility and stasis is engaging through her timeline of the evolution of the automobile. Crash will appeal to those in film and media studies, as well as to lovers of cinema. By combining literature, film, history, and art, she provides not only a good read, but also room to think.”—Stephanie Koury, International Journal of Communication


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